PD-REN
PRODUCTION DESIGN
RESEARCH & EDUCATION NETWORK
Production design is a central yet often overlooked form of creative labour within screen industries. Through the design of spaces, objects, environments, and visual concepts, production designers and art departments shape narrative meaning while navigating complex industrial, technological, and collaborative conditions. Despite growing scholarly attention to creative labour in media industries, production design remains under-theorised as a site of labour, authorship, and creative negotiation.
This special section of Media Industries invites contributions that critically examine contemporary methodologies in production design as forms of creative labour. The section seeks to foreground production design within broader debates about media production, labour organisation, collaboration, and technological change across film, television, and related screen industries.
We welcome original scholarly contributions that engage production design through a critical media industries perspective, rather than an instrumental or purely aesthetic approach. Submissions may be contemporary or historical and may draw on qualitative, archival, ethnographic, or practice-based research methods.
Indicative themes include, but are not limited to:
We particularly encourage submissions that bring global or international perspectives, address underrepresented production contexts, or adopt innovative theoretical and methodological approaches.
Submission Information
The proposed special section will comprise three to five peer-reviewed articles (5,000–7,000 words each), along with an editorial introduction. All submissions will undergo Media Industries’ standard double-blind peer review process.
Authors interested in contributing to the proposal are invited to submit an abstract of approximately 300 words, outlining the article’s focus, methodology, and relevance to the special section theme to PDREN.research@gmail.com by 30 June 2026.