Poster Gallery

Analogue Origins
Imagination is under threat.

Now more than ever, there are multiple tools that can offer students solutions to creative briefs without them having to give it a moment’s thought themselves. Whilst these instances are currently in a minority, as generative technology advances, the seductive lure of the prompt can only grow.

In this talk, Jon Rowlands will outline the approach he has taken to teaching the fundamentals of production design within a specialist module, and the techniques he uses to successfully centre that learning on the nurturing of ideation. He proposes that creating an analogue environment of pens, pencils, paper and mark-making for the first quarter of the curriculum, cultivates a strong bond between imagination and confidence when generating ideas. Students are then free to use whichever methods they prefer to continue exploring their creative solutions, be it software-based, three-dimensional model-making or continuing to sketch.

This process successfully creates a foundation of ‘ideas-first, tools second’. It is not without its challenges, and creating a safe space for such exploration is the key. Jon will outline his experiences of teaching the subject in this way, the hearty triumphs and the unvarnished failures, that have yielded some overwhelmingly positive student feedback.

by Jon Rowlands

Art Directors: America's First Motion Picture Production Designers 1905 -1929
https://www.trelunadesign.com/

by Thomas Walsh, Catherine Surowiec

Co-creating Tomorrow's World

by Angelica Boehm

Cosmic ambition on a student short film budget! - Liminal

by James Frith

Designing, Building, (Re)Creating

by Maria Kavalioti

Expediting World Building Through Agile Innovation

by Nathan Evans

Generative AI and the shifting role of the production designer

by Paraskevi Bokovou

Interlude and the layers of worldbuilding

by Jordan Taylor

Nevermore

by Alexis Molloy

Organic Architecture

by Abigail Stephenson

Pathways to Production Design

by Gage Williams

Portraits in Motion

by Boyana Buchvarova, Elena Trencheva

Production Design and the Cinematic Home

by Jane Barnwell

Production Design as Interpretative Practice

by Daniela Cruz Rodríguez

Sensory Storytellers

by Natalie Beak

The First Woman

by Roberta Pilleri, Carys Allen

Who Makes a Film?

by Ella Drinkwater

Workshop in Virtual Production at the Norwegian Film School

by Signe Gerda Landfald

ZERO: About Glass

by Lilli Manner

ZERO: Basil
ZERO: Candle Wax

by Lara Marlies Rabitsch

ZERO: Feverdream

by Marie Dülberg

ZERO: Kite

by Tata Saakashvili

ZERO: Oi Ocha

by Liv Pohl

ZERO: River Creature

by Louis Knudsen Loges